转手绘的基本方法差不多,差别在于一些细节的处理,如发丝、五官、高光等,处理到位的话整体效果非常干净有质感,也非常细腻。
原图
![Photoshop把手机人像转为水润的仿手绘效果1](/Images/jiaocheng/2015-04-1522/3524354012.jpg)
最终效果
![Photoshop把手机人像转为水润的仿手绘效果2](/Images/jiaocheng/2015-04-1522/2501662823.jpg)
1、改变图片的分辨率-【图像】-【图像大小】不一定要300的,看文件大小那里,大概到9和10MB左右就够了,如图所示。
![Photoshop把手机人像转为水润的仿手绘效果3](/Images/jiaocheng/2015-04-1522/1668093643.jpg)
2、接着我们给皮肤磨下皮,【滤镜】-【杂色】-【中间值】,数值不用很大,最好是能看到轮廓而且能把脸上的一些瑕疵遮住就最佳,这个自己把握。
之后我们把背景图层如图复制一层再执行一次中间值,这次数值大一点,大概就如下面图片那样。
![Photoshop把手机人像转为水润的仿手绘效果4](/Images/jiaocheng/2015-04-1522/2808820208.jpg)
![Photoshop把手机人像转为水润的仿手绘效果5](/Images/jiaocheng/2015-04-1522/1299353981.jpg)
![Photoshop把手机人像转为水润的仿手绘效果6](/Images/jiaocheng/2015-04-1522/2443321513.jpg)
![Photoshop把手机人像转为水润的仿手绘效果7](/Images/jiaocheng/2015-04-1522/925642251.jpg)
3、接着如图添加图层蒙版,按键盘上的D键还原背景色,前景色为黑色,切换到画笔工具之后点击图层蒙版把人物的五官擦出来如图所示。
![Photoshop把手机人像转为水润的仿手绘效果8](/Images/jiaocheng/2015-04-1522/933707497.jpg)
![Photoshop把手机人像转为水润的仿手绘效果9](/Images/jiaocheng/2015-04-1522/1036191821.jpg)
4、因为觉得皮肤还是不怎么好,所以新建一个图层起名磨皮,选择混合画笔工具,这算是个偏方吧,设定值大概如图所示。
之后按着键盘的alt键对着人物的皮肤点一下,之后慢慢涂抹皮肤,注意不要涂到五官,涂错就添加蒙版擦除,这里我不想把卧蚕给涂掉,有卧蚕的眼睛会更有眼睛,当然原图没有的话就不要特意去加了,对比一下。
![Photoshop把手机人像转为水润的仿手绘效果10](/Images/jiaocheng/2015-04-1522/1813681282.jpg)
![Photoshop把手机人像转为水润的仿手绘效果11](/Images/jiaocheng/2015-04-1522/1246042570.jpg)
![Photoshop把手机人像转为水润的仿手绘效果12](/Images/jiaocheng/2015-04-1522/775403709.jpg)
![Photoshop把手机人像转为水润的仿手绘效果13](/Images/jiaocheng/2015-04-1522/2881040109.jpg)
5、接着高大上的曲线来了,把亮度颜色调一下,如图所示。只是大概调一下,后面我们可以再次调整,皮肤的处理到现在告一段落。
![Photoshop把手机人像转为水润的仿手绘效果14](/Images/jiaocheng/2015-04-1522/1551700547.jpg)
![Photoshop把手机人像转为水润的仿手绘效果15](/Images/jiaocheng/2015-04-1522/1761279996.jpg)
![Photoshop把手机人像转为水润的仿手绘效果16](/Images/jiaocheng/2015-04-1522/2033215728.jpg)
![Photoshop把手机人像转为水润的仿手绘效果17](/Images/jiaocheng/2015-04-1522/95374567.jpg)
6、眼睛部分:
首先先弄眼白,【新建图层】命名:眼白。选择如图所示颜色,大概就行,不要纯白色,记住除高光之外都不要用纯色,纯色会显得很生硬,用【画笔工具】在人物眼白部分涂抹,之后降低图层透明度,眼白部分结束。
![Photoshop把手机人像转为水润的仿手绘效果18](/Images/jiaocheng/2015-04-1522/1574138633.jpg)
![Photoshop把手机人像转为水润的仿手绘效果19](/Images/jiaocheng/2015-04-1522/1637592368.jpg)
7、眼珠:
如图所示选择【椭圆选框工具】按住键盘上的【shift+alt】规则拉出一个圆,如图所示羽化3像素,选择一个比较深的颜色,接近黑色的颜色。按键盘上的【alt+delete填充前景色】如图所示,接着复制眼珠图层把另外一只眼珠也做出来。
![Photoshop把手机人像转为水润的仿手绘效果20](/Images/jiaocheng/2015-04-1522/4191871574.jpg)
![Photoshop把手机人像转为水润的仿手绘效果21](/Images/jiaocheng/2015-04-1522/1295955270.jpg)
![Photoshop把手机人像转为水润的仿手绘效果22](/Images/jiaocheng/2015-04-1522/1153021339.jpg)
![Photoshop把手机人像转为水润的仿手绘效果23](/Images/jiaocheng/2015-04-1522/2530375479.jpg)
![Photoshop把手机人像转为水润的仿手绘效果24](/Images/jiaocheng/2015-04-1522/3589716558.jpg)
![Photoshop把手机人像转为水润的仿手绘效果25](/Images/jiaocheng/2015-04-1522/1120168685.jpg)
![Photoshop把手机人像转为水润的仿手绘效果26](/Images/jiaocheng/2015-04-1522/2367738428.jpg)
8、添加蒙版降低图层透明度把多余的部分擦掉,如图所示。
![Photoshop把手机人像转为水润的仿手绘效果27](/Images/jiaocheng/2015-04-1522/3119723697.jpg)
![Photoshop把手机人像转为水润的仿手绘效果28](/Images/jiaocheng/2015-04-1522/1484033648.jpg)
9、晶状体:
接着新建图层用【钢笔工具】勾出如图所示路径,两个眼睛都要勾如图所示。
![Photoshop把手机人像转为水润的仿手绘效果29](/Images/jiaocheng/2015-04-1522/2050045273.jpg)
![Photoshop把手机人像转为水润的仿手绘效果30](/Images/jiaocheng/2015-04-1522/3209869351.jpg)
![Photoshop把手机人像转为水润的仿手绘效果31](/Images/jiaocheng/2015-04-1522/2541471552.jpg)
10、如图所示设置画笔的数值,一般我都是用20
【形状动态】勾上,钢笔压力一般我都是20%,直径越小,出来的线段两头越尖,接着选择一个中性色,如图所示,色相无关系,后期可以变换,之后选择所有晶状体图层,按【ctrl+e】把图层合并成一个。
![Photoshop把手机人像转为水润的仿手绘效果32](/Images/jiaocheng/2015-04-1522/4075349771.jpg)
![Photoshop把手机人像转为水润的仿手绘效果33](/Images/jiaocheng/2015-04-1522/748418096.jpg)
![Photoshop把手机人像转为水润的仿手绘效果34](/Images/jiaocheng/2015-04-1522/2715331905.jpg)
11、选择画笔工具,点击图层面板的路径,右键工作路径,路径双击可以储存。选择描边路径,勾选模拟压力,如图所示,效果如图所示。
接着【滤镜】-【模糊】-【高斯模糊】数值自定,达到一种融合的效果即可,如图所示。
![Photoshop把手机人像转为水润的仿手绘效果35](/Images/jiaocheng/2015-04-1522/2848277296.jpg)
![Photoshop把手机人像转为水润的仿手绘效果36](/Images/jiaocheng/2015-04-1522/4292291251.jpg)
![Photoshop把手机人像转为水润的仿手绘效果37](/Images/jiaocheng/2015-04-1522/1271943172.jpg)
![Photoshop把手机人像转为水润的仿手绘效果38](/Images/jiaocheng/2015-04-1522/4029172938.jpg)
![Photoshop把手机人像转为水润的仿手绘效果39](/Images/jiaocheng/2015-04-1522/3406454033.jpg)
12、重复之前的步骤,降低画笔的数值,颜色由深变浅,高斯模糊,一共做3次,如图所示。
![Photoshop把手机人像转为水润的仿手绘效果40](/Images/jiaocheng/2015-04-1522/709589423.jpg)
![Photoshop把手机人像转为水润的仿手绘效果41](/Images/jiaocheng/2015-04-1522/3420361321.jpg)
![Photoshop把手机人像转为水润的仿手绘效果42](/Images/jiaocheng/2015-04-1522/642189622.jpg)
![Photoshop把手机人像转为水润的仿手绘效果43](/Images/jiaocheng/2015-04-1522/3570367506.jpg)
![Photoshop把手机人像转为水润的仿手绘效果44](/Images/jiaocheng/2015-04-1522/2759168959.jpg)
![Photoshop把手机人像转为水润的仿手绘效果45](/Images/jiaocheng/2015-04-1522/146933402.jpg)
![Photoshop把手机人像转为水润的仿手绘效果46](/Images/jiaocheng/2015-04-1522/744691782.jpg)
13、眼睛高光:
高光可以令眼睛变有神,选择画笔工具,用硬度100%的画笔,选择纯白色,大小自定。如果不知道高光在哪里可以把晶状体,眼珠图层关闭如图所示,效果如图所示。
![Photoshop把手机人像转为水润的仿手绘效果47](/Images/jiaocheng/2015-04-1522/1684336920.jpg)
![Photoshop把手机人像转为水润的仿手绘效果48](/Images/jiaocheng/2015-04-1522/798499975.jpg)
![Photoshop把手机人像转为水润的仿手绘效果49](/Images/jiaocheng/2015-04-1522/2111120859.jpg)
![Photoshop把手机人像转为水润的仿手绘效果50](/Images/jiaocheng/2015-04-1522/4034161932.jpg)
![Photoshop把手机人像转为水润的仿手绘效果51](/Images/jiaocheng/2015-04-1522/1515615002.jpg)
14、之后我加了一个色相饱和度调整图层,把眼睛的颜色改变了,继续加高光,新建图层,如图所示点个小点,之后用涂抹工具涂抹出一条小尾巴,降低透明度,右眼一样,为了让眼睛更加立体。
![Photoshop把手机人像转为水润的仿手绘效果52](/Images/jiaocheng/2015-04-1522/507870962.jpg)
![Photoshop把手机人像转为水润的仿手绘效果53](/Images/jiaocheng/2015-04-1522/2670747606.jpg)
![Photoshop把手机人像转为水润的仿手绘效果54](/Images/jiaocheng/2015-04-1522/1908841945.jpg)
![Photoshop把手机人像转为水润的仿手绘效果55](/Images/jiaocheng/2015-04-1522/4003059118.jpg)
![Photoshop把手机人像转为水润的仿手绘效果56](/Images/jiaocheng/2015-04-1522/293492029.jpg)
15、接着我们来做上眼线,如图所示勾出上眼线的路径,画笔设置的间距设为1,勾选形状动态,吸取一个比较深的颜色,描边路径,模拟压力,效果如图所示。之后高斯模糊,数值自定,达到融合效果为止。
![Photoshop把手机人像转为水润的仿手绘效果57](/Images/jiaocheng/2015-04-1522/3781088033.jpg)
![Photoshop把手机人像转为水润的仿手绘效果58](/Images/jiaocheng/2015-04-1522/2916346045.jpg)
![Photoshop把手机人像转为水润的仿手绘效果59](/Images/jiaocheng/2015-04-1522/2388200550.jpg)
![Photoshop把手机人像转为水润的仿手绘效果60](/Images/jiaocheng/2015-04-1522/1798738363.jpg)
![Photoshop把手机人像转为水润的仿手绘效果61](/Images/jiaocheng/2015-04-1522/1006261987.jpg)
![Photoshop把手机人像转为水润的仿手绘效果62](/Images/jiaocheng/2015-04-1522/3681996293.jpg)
![Photoshop把手机人像转为水润的仿手绘效果63](/Images/jiaocheng/2015-04-1522/508189077.jpg)
16、之后就是下眼线,下眼线方法同上,画笔大小降低,适当降低透明度。
![Photoshop把手机人像转为水润的仿手绘效果64](/Images/jiaocheng/2015-04-1522/548806539.jpg)
![Photoshop把手机人像转为水润的仿手绘效果65](/Images/jiaocheng/2015-04-1522/3495073367.jpg)
![Photoshop把手机人像转为水润的仿手绘效果66](/Images/jiaocheng/2015-04-1522/1780797909.jpg)
17、接着就是眼睫毛了,不要吐槽我勾的路径= =!之后描边路径,模拟压力,画笔数值如图所示。
![Photoshop把手机人像转为水润的仿手绘效果67](/Images/jiaocheng/2015-04-1522/1322633890.jpg)
![Photoshop把手机人像转为水润的仿手绘效果68](/Images/jiaocheng/2015-04-1522/1056905515.jpg)
![Photoshop把手机人像转为水润的仿手绘效果69](/Images/jiaocheng/2015-04-1522/248829297.jpg)
18、做下眼睫毛之前我们先加一个高光,这样显得更加立体。
![Photoshop把手机人像转为水润的仿手绘效果70](/Images/jiaocheng/2015-04-1522/3620478205.jpg)
![Photoshop把手机人像转为水润的仿手绘效果71](/Images/jiaocheng/2015-04-1522/3965056620.jpg)
![Photoshop把手机人像转为水润的仿手绘效果72](/Images/jiaocheng/2015-04-1522/1797112420.jpg)
![Photoshop把手机人像转为水润的仿手绘效果73](/Images/jiaocheng/2015-04-1522/1291773138.jpg)